Statement of intentions

Statement of intentions

The aim of my practical production is to create a short live-action film based on a girl who is extremely bored at home as she thrives on going out and exploring London nightlife. She falls asleep out of boredom, and has a dream of going to a party. This then comes true as she receives a text, and gets ready for her adventure. I am going to explore two forms of genre within the film. The first, a film noir style for the duration of the first half of my film, and the second in a formalist, fast paced colour film style with elements of comedy.

To create a German expressionist/film noir style, for the first half of the film I will use black and white film, to illustrate an early 20^th century German expressionist film, and help slow down the film. This form will consist of various lighting. Deep shadows of chiaroscuro, and natural lighting. I will use this form of genre as I feel the techniques and connotations of the genre could express well a depressed and tiring mood, suitable for the first half of my production.

For the second form of genre I will use, a formalist fast-paced film with elements of comedy, I will avert back to colour film to gain that sense of modern film and a lively atmosphere. I have chosen to use a hand-held camera because this part of the film is a more frantic style; therefore by switching to hand-held you are moving away from the stillness to a phase of excitement and rapid movement. I will use special effects, two in particular, in slow motion and speeded up respectively. Slow motion will help to exaggerate and emphasise movements and details, while speeded up will make the film more interesting by adding variety to the film. Both will modernise and illustrate a formalist film, and will add relevance to the music track that will be playing throughout the second half of the film. This song I have chosen is “I Gotta Feeling” by the Black eyed Peas. I chose this track because it is related to the theme of the film-Going out and having a good time. It’s up beat tempo will create a positive mood and the film is fairly new, so will add to the modern look of the second half of the film. They are also a well-known group around the globe, so will again give this part of the film a modern image.

The German expressionism period during the early 20^th century refers to a number of related creative movements in Germany before the First World War, during the 1920’s. This expressionism period was short lived and faded slowly within a few years. However themes of German expressionism were adapted into later films. This genre was then developed into the genre known as film noir. Lighting and scenery were two parts of this film that was used frequently in later film to effectively enhance the mood of a film.

Film noir was derived from the German expressionist genre of the 1920’s and was estimated to have started in 1941 after the film The Maltese Falcon (1941), until the late 1950’s. Film noir was based on the anxiety, pessimism and suspicion amongst the public that were apparent during and post World War Two. Noir was very similar to a German expressionist style as it used many of these techniques including chiaroscuro, skewed camera angles and expressionist lighting to create a tense mood effective for the film.

I will be taking inspiration from the following German expressionist films: Cabinet of Dr. Caligari (1920), The Golem (1920), Phantom (1922) and Schatten (1923). All of these films were highly symbolic and stylised German expressionist films. They all used absurd sets consisting of geometric designs on walls and floors to represent lights, shadows and objects. This combined with strong lighting of shadows of chiaroscuro, and darkening the outer edge of the shot to leave the centre highlighted to help create a mood and atmosphere of madness, insanity and betrayal, the themes of these films. F.W Maurnau was one successful German Expressionist filmmaker during the 1920’s. His two known films throughout this period were Nosferatu (1922) and Sunrise (1927). Particula­­­­rly in these films, Maurnau focused on atmospheric lighting and harsh contrasts between dark and light. Originally, he used normal and realistic sets, which made his horror films even scarier. Silhouettes and shadows were an important part of expressionism, and he was able to create an effective mood using these techniques. This is similar to my film, as I will be using strong shadows of chiaroscuro and experimenting with contrasts of black and white to express a depressed and tiring mood. I will also be using a realistic set (a home). An obvious music video I have taken inspiration from is the music video of the song that will be played during the second half of the film- I Gotta Feeling by The Black Eyed Peas. This video shares the same concept as mine- getting ready to go out. The video uses a lot of quick shots, as well as detailed close-ups, both of which will be used in my film.

The whole film will be shot at my house, and the one actor I will be using is my sister, this adds convenience to the schedule of my film as I won’t have to deal with booking a location or having to arrange a given day when everyone can be there. However, as light is a vital part of the first half of the film, I will have to shoot at certain times of the day (preferably sunset), and wait on the weather.